I remember the days of teenage exuberance
Or, rather, I dont deny them
They were just a different kind of miserable.
We would walk in the bitter cold
Hooded zipper sweatshirts and eroding sneakers bearing us through two feet of snow
Northeastern Pennsylvania, ladies and gentlemen
I would jingle when I walked
The chain on my pants, the pins on my hat, my pockets.
I didnt have money you could fold, just pockets full of change
Lunch money carcasses to bear me through the day
Suckered out of Mom and Dad or chided out of that kid in the cafeteria
He didnt care. Rich parents and no social skills
Hed gladly pay a dollar or two for a minute of smalltalk.
I was more than happy to oblige.
We would all walk through the streets together
Me and these rotting subhuman gutter punks
Who am I kidding? I was one of them
We were like cats
Prowling through the streets through all hours of the day and night
Screaming songs, howling and yowling and getting the cops called
Disturbing the peace.
Noise pollution.
Wed roam through the biting wind, and wed call
TURNCOAT KILLER LIAR THIEF
CRIMINAL WITH PROTECTION OF THE LAW
To no one
We were indignant toward authority, although it never wronged us, really.
We dragged our boots and our chains and our attitudes over cracked and broken concrete
Snow blowing into our faces
Breathing in the smell of frost and onion rings and shit
This was my youth
These were my precious beautiful days.
We would walk for miles and miles
Scratching on the doors of the young girls who would feed us
CRISTEN, YOUR FRIENDS ARE HERE!
STEPHANIE, YOUR FRIENDS ARE HERE
CHRISTINA
JESSICA
Sarah.
Kelly.
megan
celia
We were ugly, crass, classless
They were beautiful. They were goddesses.
They would take us out of the cold
We would entertain them,
Tell them stories,
Theyd laugh until they cried and Id grin and know
This is what I must do with my life.
This has to go on forever.
Sleep-drunk, at school all day and out all night
The Punk Rock years of my adolescence
There was one man, he may as well have been the messiah
We groveled before him
He hated me, I didnt know why
We all aspired to be him
He worked at the record store and knew everything about music
It was all we wanted to become.
Now he is a thirty-five year old man working at a casino
Paying child support to a stripper.
Thats kind of cool, but Jesus, man,
No glove, no love.
Nobody likes fucking a plastic bag
But I, personally, I like babies even less.
The summers and winters that made me what I am
Lay shattered behind my eyes
The days when wed wear heavy coats
Wed scrape and save and take a bus to the mall
Then steal, just take whatever we wanted into our coats
And leave
Trying to conceal the bulges and irregularities
The corners poking us in the ribs
Wed catch the bus back and get dropped off and carry our haul the mile home.
The golden, frozen days where smoking pot was a highly surreptitious affair
None of this bullshit about mountain rides or going over peoples houses
We would sit under a bridge
And pass a two dollar corncob pipe back and forth
And talk about the beautiful, kind girls we were going to intrude upon tonight
Which ones we would fuck
Which ones we wouldnt fuck
Those were much rarer.
And the twice a month when we could afford it, wed get high and walk
Walk and walk and sing and talk about girls we had no chance with
Until we got to one of their doors and scratched
And theyd bring us into the basement and give us macaroni and cheese
And then theyd wait to be entertained.
They knew the quid pro quo
I was, again, more than happy to oblige.
The self-loathing, the rejection,
The sparks of pneumonia,
The petty teenage drama,
The anarchistic punk-rock aspirations,
The knowledge it would go on forever,
If I could do it all over again, I would.
But the days are gone now,
And so are the girls,
And so are we.














Comments
i didn't edit it, i just churned it out and tossed it up
its supposed to be nonlinear and scattered, but i want to keep the rhythm. where's the hiccups at
what we cant seem to get on the same page about (no pun intended) is that none of these stories and poems were writing right now are going anywhere. no publisher is going to care what i did when i was fifteen, just like they wont give a fuck about video game fan fiction or australian criminals that read like disney characters. we are cutting our teeth on deviantart, albeit to a potential audience chiefly consistin of fourteen year old midwestern girls who really, really like anime. this is the practice round. we're in little padded helmets and giant gloves here with the old man screamin' at us. no lights, no refs, it's no big fuckin deal.
shit im serious about, ill edit. shit im not, i wont. this is finished. i can still tweak it, but im not gonna keep it 'in development' for another week and a half before postin it because, fuck, it's a coin-flip whether or not ANYONE will read it in the first place.
stop being such a little girl about people not doing shit your way and answer my question, if you can actually find hiccups in the first place. im the first motherfucker who has actually invited and encouraged your slamming- im sorry, 'critiquing', so dont fucking blow it.
Im looking to be critiqued on this site and get feedback. I give critiques to people in hope of them putting out higher quality work which benefits them as a writer and the audience of DevArt as readers.
Ill argue that if youre a serious writer on this site, you shouldnt post trash. You can write anything you want and post it anywhere. But, it would better for everyone if they were to just post what theyre serious about.
I dont seek to be an editor by profession. Im not going to edit your writing for you. I dont mind pointing out problems and hiccups, but when I hear you say you didnt edit it and will not edit it, it tells me and everyone else that you dont care. To help someone that doesnt care is pointless. You seem to have some wits about you, so I hope you do come to sense and not merge with the lesser writers. It isnt a matter of being elitist; its maintaining a level of quality for the sake of everyone.
when you say youre not being elitist, youre only bullshitting yourself. editing is trivial and mechanical; it's the excess busywork after the magic's already gone. it's necessary sometimes, yeah, but the way i see it, i read a whole shitload. a lot of horror novels, mostly, but im starting to edge into more mainstream straight-up fiction now. like that douchebag Brian Keene, these published novels have been edited all to fuck and back
and they STILL suck. i havent tried to publish any novels yet because i know theyre not ready, and im not yet good enough to make them ready, but before you hit up a marathon you gotta figure out your limits and push em. ill refine it when the time comes. right now, im just making sure the raw materials are workable, and im not holding my breath about being 'discovered' on a medium almost entirely made up of gender-swapped drawings of Sonic the Hedgehog fucking Gadget from Rescue Rangers.
and christ knows i dont want you editing my shit for me, but if youre seein flaws that im glossin over, dont wave a hand and say "yeah, it's shitty"; if you're so concerned with improvin other people's writing, then fuck, do it.
My two cents? It's more prosey than Bukowski, and that's saying something. But, oddly, it works, except in a couple places I will point to in a minute.
But first, I beg to differ with you about deviantART, to a degree. Sure the place is shitey with teenage hacks who don't care and bum-sucking sycophants who care less for art than climbing some fake internet social ladder. But when you say 'nobody cares what I write' and 'it'll never go anywhere', it makes me a bit cross. If it's presented on a page, I'll goddam read it like it's a contender for the Pulitzer, and if it doesn't shape up, I'll tell you why. Or you know, you could just turn the comment function off.
Ok, poem--
1: Keep your punctuation consistent. Nothing worse than thinking "this guy can't find the right key/can't be arsed".
2: Your biggest problem here is reiteration, saying what's already been said.
example: We would all walk through the streets together = 'we' + 'all' + 'together'. If there's a 'we', we can assume you were 'together' and 'all' at once.
example: Screaming songs, howling and yowling and getting the cops called
Disturbing the peace. <-- no shit
Noise pollution. <-- yeah, we got it already.
example: It was all we wanted to become. <-- hence the idolising, we can presume
example: Snow blowing into our faces <-- you talk about frost in the next line, so yeah, we get that's it's cold.
3/ I didn't like the set-up here:
The self-loathing, the rejection,
The sparks of pneumonia,
The petty teenage drama,
The anarchistic punk-rock aspirations,
The knowledge it would go on forever,
If I could do it all over again, I would. <--- it's a list. Lists look and are boring. Try longer lines, and dropping the last line down to the next bit to emphasise 'forever'. Irony and all.
Anyhow, that's it for me. I liked this, and hope to get time to read some more.
Cheers.
PS: Crumplebottom's right.
<3
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unknown command error: sleep
It's quite clear that you posted this with "Comments," not "Advanced Critique." That being the case, anyone who critiques in depth shouldn't expect an author to want to edit. Crit is offered as a gift, and if someone chooses to disregard it, for whatever reason, that's their prerogative. Rudeness, like calling people "an unprofessional idiot," for so choosing reveals more about the critter than the critted.
Hence, you're right, and Crumplebottom's out of line.
Carry on, good sir.
--
"A liberal is the guy who leaves the room when a fight starts."
- Big Bill Haywood
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